Book out now.
| 2019 | Playmode, Museum of Art, Architecture and Technology, Lisbon |
| Luxus Privatsphäre / Mythos Anonymity, Propstei St. Peterzell | |
| Futures of Love, Magasins généraux, Paris-Pantin | |
| Tomorrows - urban fictions for possible futures, Le lieu unique, Nantes | |
| Behind The Screen, KINDL Berlin | |
| Conspiratorial Aesthetics, Cressman Center for Visual Art, Louisville, Kentucky | |
| Swiss Media Art: !Mediengruppe Bitnik, House of Electronic Arts BaselSolo | |
| FREEPORT: Terminal MCR, University of Salford, Manchester | |
| 2018 | Art Acquisitions 2011-2018, City of Zurich Art Collection, Helmhaus Zurich |
| CHEERS, EIGEN+ART Lab, Berlin | |
| Decisions, Decisions, Decisions, Super Dakota, BrusselsSolo | |
| Ubiquité, Bento, Mulhouse | |
| Digitale Narrationen, Forum Schlossplatz Aarau | |
| Holen und Bringen - Fetch and Deliver, Werkleitz Festival 2018, Halle (Saale) | |
| Gallery.Delivery, Performance exhibition by Sebastian Schmieg, Berlin | |
| Conexión (in)discreta, Gallery Weekend CDMX, Mexico CitySolo | |
| Algorithmic Lifestyle, Roehrs & Boetsch Zürich | |
| Spy DIY, Electromuseum Moscow | |
| Always Different, Always the Same. An Essay on Art and Systems, Museum of Fine Arts Chur | |
| #DATAMAZE, DOX Centre for Contemporary Art Prague | |
| Data Dating - Sex, Love and Intimacy in the Age of Algorithms, Galerie Charlot, Paris | |
| Alexiety, with Low Jack, Panke Gallery, BerlinSolo | |
| Hidden / Secret with Sina Ataeian Dena and Francis Alys , Villa Merkel, Esslingen / Stuttgart | |
| I'm sorry, I didn't quite catch that, arebyte Gallery, London | |
| INTO WORLDS. The Craft of Blurring Boundaries,Berliner Festspiele, M.-Gropius-Bau, Berlin | |
| Future Love. Desire and Kinship in Hypernature, House of Electronic Arts, Basel | |
| 2017 | L'art au centre 25 ans dca, Palais de Tokyo, Paris |
| Glass Room London, Store Front, London | |
| Are you online now?, Annka Kultys Gallery, LondonSolo | |
| Alexa, Who is Joybubbles, Société des Arts GenèveSolo | |
| Digital Arts Fest, National Academy of Art, Sofia, Bulgaria | |
| Feedback - Marshall Mcluhan and the Arts, West Den Haag Contemporary Art, Den Haag | |
| I'm afraid I can't do that, Dave, Gluon, Emaillerie Belge, Brussels | |
| Media Mediterranea 19: Digital Romance, Titov park, Pula | |
| Our Bright Furture : Cybernetics Fantasy, Nam June Paik Art Center, Yongin | |
| Come chat with me, Art Lab EPFL, École Polytechnique Fédérale LausanneSolo | |
| Action!, Kunsthaus Zürich | |
| Scenographies of Power: the Designed Materialization of Spaces of Exception, Ineditos, La Casa Encendida, Madrid | |
| Infosphere - El arte en la era digital, Centro National de las Artes (CENART), Mexico City | |
| Tomorrows, Urban Fictions for Possible Futures, Onassis Cultural Center, Diplareios School Athens | |
| Is anybody home lol, EIGEN+ART Lab, BerlinSolo | |
| (DYS-)Tropism, Super Dakota, Brussels | |
| Desperate times call for desperate measures, lol, Swissnex San FranciscoSolo | |
| Dadaclub.online: the Exhibition, Spazio Contemporanea, Brescia | |
| How Much of This is Fiction, House of Electronic Arts, Basel | |
| How Much of This is Fiction, FACT Liverpool | |
| Dada. State of the Reference, Dadaclub.online, Link Art Center, Bescia | |
| Lanceurs d'alerte, La Gaîté Lyrique, Paris | |
| 2016 | The Glass Room: NYC, Soho Store Front, New York |
| Dispatches - Live news through art, Southeastern Center for Contemporary Art, Winston-Salem | |
| House of Impressions. Wandering with a Troubadour, The Pushkin State Museum, Moscow | |
| Digital Dark, Public Access Gallery, Chicago | |
| Lodz Design Festival, Art Centre Lodz | |
| Corporate Parodies, Stadstriënnale Hasselt-Genk | |
| Jusqu'ici tout va bien, Centre culturel suisse, ParisSolo | |
| CyberArts 2016 - Prix Ars Electronica, OK Centrum, Linz | |
| Welcome to Ecuador (featuring Adam Harvey), Zoo Gallery, NantesSolo | |
| CAMÉRA(AUTO)CONTRÔLE, Centre de la photographie, Geneva | |
| !Mediengruppe Bitnik, Drugo more, RijekaSolo | |
| Is anyone home lol, Kunsthaus LangenthalSolo | |
| Whistleblower & Vigilanten. Figuren des digitalen Widerstands, HMKV, Dortmund | |
| L’image volée, Fondazione Prada, Milan | |
| Digital Archives, Kunstverein Hannover | |
| Nervous Systems, HKW, Berlin | |
| The Black Chamber, Galerija Škuc, Ljubljana | |
| The Next Big Thing is Not a Thing, Bureau Europa, Maastricht | |
| Kunst und Nachhaltigkeit Vol. 5: Prix Mobilière 2016, Die Mobiliar, Bern | |
| Hacking Habitat - The Art of Control, Former Prison Wolvenplein, Utrecht | |
| Random Darknet Shopper, Aksioma, LjubljanaSolo | |
| Prix Mobilière 2016, artgenève, Geneva | |
| 2015 | Random Darknet Shopper, Horatio Junior Gallery, LondonSolo |
| Identfikuj me, G21Hub, Belgrade | |
| Always-on, Schule des Sehens, Johannes Gutenberg-Universität, Mainz | |
| (Artificial Intelligence) Digitale Demenz, HMKV, Dortmund | |
| Thing Nothing, Van Abbemuseum, Eindhoven | |
| Digitale Demenz (artificial intelligence), EIGEN + ART Lab, Berlin | |
| The 3rd Ural Industrial Biennial of Contemporary Art, Ekaterinburg, Russia | |
| H3333333K , Haus der elektronischen Künste, BaselSolo | |
| GLOBALE: Infosphere, ZKM, Karlsruhe | |
| Wasting time on the Internet 2.0, Kunsthalle Düsseldorf | |
| Athens Digital Arts Festival, Athens | |
| Digital / Analog: Indifferenz, Motorenhalle, Dresden | |
| Invent the Future with Elements of the Past, Cabaret Voltaire, Zürich | |
| 2014 | Cosmos, The Shanghai Minsheng 21st Century Museum, Shanghai |
| The Darknet - From Memes to Onionland. An Exploration., Kunst Halle St. Gallen Solo | |
| Leipzig Festival of Lights, Public Space, Leipzig | |
| Performa Festival, La Rada, Locarno | |
| 大声展 - Get it louder Biennal, Beijing | |
| net.art Painters and Poets, City Art Gallery Ljubljana | |
| Swiss Art Awards, Basel | |
| Art Meets Radical Openness, Servus.at, Architekturforum Linz | |
| Delivery for Mr. Assange, Helmhaus, Zürich Solo | |
| 2013 | Monitoring, Kunstverein Kassel, Dokfest Kassel |
| Flashbacks, Stadtgalerie Bern | |
| Werkschau 2013: Kultur Kanton Zürich, F+F Zürich | |
| Physical City – Sensing Place, Rua da Madalena Project, Lisbon | |
| CCTV - A Trail of Images, Relevante Musik - Festival politischer Medienkunst, Berlin | |
| BiennaleOnline 2013, Artplus.com New York / Amsterdam | |
| Streetview, Lichter Filmfest Frankfurt | |
| Social Sound, Stichting VHDG, Leeuwarden, Netherlands | |
| 2012 | Network Hack, La Gaîté Lyrique, Paris |
| Lügen: UBS Lies / Polizei lügt, Kunstkabine, Museum für Kommunikation, Bern Solo | |
| Werk- und Atelierstipendien der Stadt Zürich 2012, Helmhaus Zürich | |
| Yes we're open, NiMk Netherlands Media Art Institute, Amsterdam | |
| The Social Contract, Artefact Festival, STUK Kunstencentrum Leuven, Belgium | |
| 2011 | Together in Electric Dreams. Absent Presence, Beton7, Athens |
| Dada New York II: The Revolution to Smash Global Capitalism, Cabaret Voltaire, Zürich | |
| Cops and Robbers: 7th Piemonte Share Prize Exhibition, Share Festival, Torino | |
| One Hundred Days of Manifestation, Bblackboxx, Basel | |
| Swiss Art Awards, Messehalle 3, Basel | |
| Hoja Blanca - Weisses Blatt, Botica Cultural, Quetzaltenango, Guatemala (GCA) | |
| Wem gehört die Stadt?, Schlachthaus Theater, Bern | |
| Together in Electric Dreams. Abwesende Anwesenheit, House of Electronic Arts, Basel | |
| Hoja Blanca - Weisses Blatt, Arte Centro Graciela Andrade de Paiz, Guatemala (GCA) | |
| Hoja Blanca - Weisses Blatt, Casa Convento Concepción, Antigua Guatemala (GCA) | |
| Hands on – Hacking & Bricolage, Electron Festival: BAC Bâtiment d‘art contemporain, Geneva | |
| Hoja Blanca - Weisses Blatt, Schmuck Inc., Weinplatz 7, Zürich | |
| Questions/Noise, Substitut, BerlinSolo | |
| 2010 | unterdessen, Museum Bärengasse, Zürich |
| Jusqu‘ici tout va bien, Espace Multimédia Gantner, BelfortSolo | |
| Too Big To Fail / Too Small To Succeed, SPACE, LondonSolo | |
| Too Big To Fail / Too Small To Succeed, Les Complices*, ZürichSolo | |
| Hacking the City, Museum Folkwang, Essen | |
| Online 1: Opera Calling, Projektraum Enter, Kunstmuseum ThunSolo | |
| 2009 | Cyberarts 09 – Prix Ars Electronica Exhibition, OK Offenes Kulturhaus, Linz |
| Pronto!, [plug.in], Basel | |
| Leftover, White Space, Zürich | |
| Shifting Identities – (Swiss) Art Now, CAC Contemporary Art Center, Vilnius | |
| Urban Jealousy - Roaming Biennial of Tehran, Centar za Kulturnu Dekontaminaciju, Belgrade | |
| Neid, Gunststiftung, Zürich | |
| Schmuck Inc. – RESEARCH & DEVELOPMENT, Strehlgasse 26, Zürich | |
| Parasite’s Delights, Stiftung Binz39, ZürichSolo | |
| 2008 | Urban Jealousy – Roaming Biennial of Tehran, Newyorck in Bethanien, Berlin (D) |
| Werk- und Atelierstipendien der Stadt Zürich, Helmhaus, Zürich | |
| StipendiatInnen, Stiftung Binz39, Zürich | |
| Shifting Identities, Kunsthaus, Zürich | |
| Swiss Art Awards, Basel | |
| Urban Jealousy – Roaming Biennial of Tehran, Hafriyat Karakoy, Istanbul | |
| Our Man in India, [plug.in], BaselSolo | |
| 2007 | Access, Shift - Electronic Arts Festival, Basel |
| They call it Reality, Hartware MedienKunstVerein, Dortmund | |
| FWD:Re:Re:Re:Re:Re: Redirect, TAGallery, online exhibition, cont3xt.net | |
| Download Finished, Cabaret Voltaire, ZürichSolo | |
| 25 Years - Jubiläumsausstellung Stiftung Binz39, Binz39, Zürich | |
| Opera Calling, Cabaret Voltaire, ZürichSolo |
| 2019 | Cryptorave #10, with Omsk Social Club, House of Electronic Arts, Basel |
| Cryptorave #9, with Omsk Social Club, Onassis Foundation, Athens | |
| Cryptorave #8, with Omsk Social Club, transmediale, Berlin | |
| 2018 | Cryptorave #7, with Omsk Social Club, The Influencers, Barcelona |
| Cryptorave #5, with Omsk Social Club, Panke Gallery, Berlin | |
| /me followed by an action , 4. Welt, Berlin | |
| 2017 | Chelsea's Wall, Lanceurs d'alerte, La Gaîté Lyrique, Paris |
| 2016 | Chelsea's Wall, The Black Chamber, Škuc Gallery Ljubljana |
| 2015 | Chelsea's Wall, The Influencers, CCCB, Barcelona |
| Chelsea's Wall, Elevate Festival, Graz | |
| 2014 | MTV - Mikro TV - Pirate TV Vol. II, Sonic Protest, La Générale, Paris |
| 2013 | Your Own Private Pirate TV Station - Pirate TV Vol. I, Désert Numérique #4, Saint-Nazaire-le-Désert |
| 2012 | (Un)friendly takeover.exe, Aesthetics@Subversion, Lecture Series, Zurich University of the Arts, Zurich |
| 2011 | !Mediengruppe Bitnik schreibt Empfehlungsschreiben, with San Keller, Helmhaus Zurich |
| 2009 | Our Own Private Pirate TV Session, Stiftung Binz39, Zurich |
| 2008 | From TV to CCTV - Live TV Performance, Quarantaine, Brussels |
| 2007 | A Hack a Night, with Bob Milosevic (YU), Eric Bünger (SE), Sven Koenig (DE), Dock18, Zurich |
| 2019 | Mechanisms of a Surveillance State, Panel with Benjamin Bratton, Trevor Paglen and Doreen Mende Art Basel Conversations, Basel |
| Artist Talk and Panel, Sportbuffet Kunsthochschule Weissensee | |
| Artist Talk, Delivered the Same Day: The Post Office and Amazon.com - Work, Property, Metrics, Centre for Postdigital Cultures, Coventry University | |
| Artist Talk, Digital Matters, DON18 Talk Series, ETH Zurich | |
| Algorithmic Intimacies, Panel with Joana Moll and Taina Bucher, transmediale, Berlin | |
| 2018 | Artist Talk, PUBLIC(S), Open Lecture Series Markus Miessen, HDK Academy of Design Gothenburg |
| Artist Talk and Panel, Kolloquium 1,2,3 Logistics, Werkleitz Festival Halle (Saale) | |
| Artist Talk, A+T Salón de Arte y Tecnología, Fundación Telefónica, Gallery Weekend Mexico, Mexico City | |
| Artist Talk, Bündner Kunstmuseum Chur | |
| Conversations in the exhibition, Bruce Naumann exhibition, Schaulager, Basel | |
| Artist Talk, 502 Bad Gateway — Digitales Ausstellen, K-Komma Berlin | |
| Artists Talk, Ecstasy 10x yellow Twitter 120mg Mdma, Studium generale UdK, Berlin University of the Arts | |
| Artist Talk, ALT-OUTPUT Lecture Series, FHNW Academy of Art and Design Basel | |
| <script>alert("!Mediengruppe Bitnik");</script>, Pop-up Event, INTO WORLDS. The Craft of Blurring Boundaries, Berliner Festspiele, Martin-Gropius-Bau, Berlin | |
| 2017 | Artist Talk, Ecstasy 10x yellow Twitter 120mg Mdma, Chaos Computer Congress, Leipzig |
| Good Hack - Bad Hack?, Panel Discussion, Collegium Helveticum, Zurich | |
| Artist Talk, Bots and Angels, Glass Room London | |
| Artist Talk, EIGEN+ART Lab Berlin | |
| Artist Talk, Bots Like Me, Swissnex San Francisco | |
| Artist Talk, 'Dark Jesters' in the Spotlight, FACT Liverpool | |
| Artists Talk, Alertes at régimes de vérité, La Gaîté Lyrique, Paris | |
| 2016 | Artist Talk, Bots like Me, Centre Culturel Suisse, Paris |
| Artist Talk, Truth Tellers - The Impact of Speaking Out, Disruption Network lab, Berlin | |
| Artist Talk, The Pushkin State Museum, Moscow | |
| Artist Talk, Drugo More, Rijeka | |
| Get involved! Partizipation als künstlerische Strategie, Panel Discussion, Cabaret Voltaire, Zurich | |
| Artist Talk, Art Bar, Kunsthaus Langenthal | |
| Transparency. Thinking Through an Opaque Concept, Palace, St. Gallen | |
| Artist Talk, Human Entities - A cultura na era das maquinas semi-autonomas, Trienal de Arquitectura de Lisboa, Lisbon | |
| Artist Talk, Aksioma, Ljubljana | |
| 2015 | Artist Talk, Ringvorlesung Mit Medien Machen. Kulturwissenschaften im Praxistest, University of Basel |
| Artist Talk, Academy of Media Arts Cologne | |
| Artist Talk, The Influencers, CCCB, Barcelona | |
| Parallel Polis - HACKERS CONGRESS 2015, KINO 43, Prague | |
| Alles nur noch digital?, EIGEN + ART Lab, Berlin | |
| Darknets und ein Paket an Mr. Assange, Weltkunstzimmer, Düsseldorf | |
| Kunst ist Manipulation, State Academy of Fine Arts in Stuttgart | |
| Fear of Missing Out, Institute of Contemporary Art, London | |
| Artists Talk, Athens Digital Arts Festival | |
| Sealed with a bit, Re:publica, Berlin | |
| The Act of Liberation. Rage Against the Machine, Videonale.15, Kunstmuseum Bonn | |
| Art under Mass Surveillance, Museum Bärengasse, Zürich | |
| 2014 | Random Darknet Shopper and the Darknets, Palace St. Gallen |
| AMT Rendez-vous #11: !Mediengruppe Bitnik, Parsons Paris | |
| Here, but Invisible, Kunst Halle St. Gallen | |
| Wie gefährlich ist Unwissen?, Rabbar Trogen | |
| Culture at Work, Kunsthaus Zürich | |
| Zeitfugen, Umzonungen – Widerständige Raumproduktion heute?, Bern Biennial, Schlachthaus Bern | |
| Information as Reality - Critical Art in Digital Networks?, Lentos Museum, Linz | |
| Hacking as Artistic Practice, HOPE X, New York | |
| Dorkbot San Francisco, Noisebridge, San Fransisco | |
| Who Are Hacktivists?, Swissnex, San Fracisco | |
| Art Meets Radical Openness, Servus.at, Architekturforum Linz | |
| Hacking as Artistic Practice, Literatur und Strom Festival, Literaturhaus Stuttgart | |
| Ziviler Ungehorsam im Netz und die Zukunft des digitalen Widerstands, taz.lab 2014, Haus der Kulturen der Welt, Berlin | |
| Art under Mass Surveillance, Helmhaus, Zürich | |
| Reality Check #6 Between Private and Public Identity, Kunsthalle Zürich | |
| 2013 | Hacking as Artistic Practice, 30th Chaos Computer Congress, Congress Center, Hamburg |
| Delivery for Mr. Assange , Verbindingen / Jonctions Festival, Recyclart, Brussels | |
| Playing Power: Surveillance & Control, rePLAYCE:theCITY, Zürich | |
| Prekäre Landschaften, Ringlokschuppen, Mülheim | |
| Delivery for Mr. Assange, Storytelling Konferenz, Volkshaus Zürich | |
| Mikro.TV: Présentation du dispositif, Désert Numérique #4, Saint-Nazaire-le-Désert | |
| Streetview Agora zu Stadtraum und Öffentlichkeit, Lichter Filmfest Frankfurt | |
| (Un)friendly takeover.exe, Forum Kultur & Ökonomie, Kunsthaus Basel | |
| Hacking as Artistic Practice, Public Lectures, Freie Fachschule für Tontechnik, Zürich (CH) | |
| 2012 | RRRRadical Realtime: Hacking as Artistic Practice, Hochschule für Gestaltung, Offenbach a. M. |
| RRRRadical Realtime: Hacking as Artistic Practice, B3 Biennale, Frankfurt a. M. | |
| Surveillance Chess, Besides the Screen Conference, Goldsmiths College, University of London (UK) | |
| RRRRadical Realtime, Constant Roundtable Event, Constant Variable, Brussels | |
| CCTV and Network Hacks Conference, Mal au Pixel Conference #7, La Gaîté Lyrique, Paris | |
| Surveillance Chess, Impakt Festival 2012, Utrecht | |
| Performativity of Code, Panel / Workshop, Zurich University of the Arts, Zürich | |
| On the Make, Lecture, Institute of Architecture and Planing, University of Lichtenstein | |
| The Revolution to Smash Global Capitalism: Coffee Break, Cabaret Voltaire, Zurich | |
| 2010 | Medienkunst im Kunstmuseum?, Kunstmuseum Thun |
| 2009 | Ruhestörung, Workgroup Art in Public Space, Kongresshaus, Zürich |
| Dis – Connecting Media, Symposium on intermedial easthetics, University of Basel, Basel | |
| 2008 | My Fear - Your Castle, RarBar, St. Gallen |
| Transformationen - Komposition & Medienkunst, Museum für Gestaltung, Zürich | |
| File Symposium 2008, Festival Internacional de Linguagem Eletrônica, São Paulo (BR) | |
| Hacker Space Fest, /tmp/lab, Vitry-Sur-Seine, Paris | |
| Hacking as Artistic Practice, Kunst und Vermittlung der Hochschule Luzern, [plug.in], Basel (CH) | |
| 2007 | interfictionXIV/2007 PATCH_WORK, Film & Documentary Film Festival, Kassel |
| Who owns Culture? - Panel, Shift - Electronic Arts Festival, Basel | |
| Open the Source – Sind Hacker die Situationisten von heute?, Cabaret Voltaire, Zürich | |
| Dorkbot Swiss, Walcheturm, Zürich |
| 2014 | The Hidden City: From Surveillance to Sousveillance, Zurich University of Arts, Zürich |
| The Hidden City: From Surveillance to Sousveillance, Swissnex, San Francisco | |
| CCTV - A Trail of Images, Literatur und Strom Festival, Literaturhaus Stuttgart | |
| 2013 | CCTV - A Trail of Images, Invisible Zurichs, Gessnerallee Zürich |
| CCTV - A Trail of Images, Rua da Madalena Project, Lisbon | |
| CCTV - A Trail of Images, Relevante Musik - Festival politischer Medienkunst, Berlin | |
| CCTV - A Trail of Images, Lichter Filmfest, Frankfurt | |
| 2012 | CCTV - A Trail of Images, Mal au Pixel Festival #7, La Gaîté Lyrique, Paris |
| CCTV - A Trail of Images, Sound Development City, London | |
| 2011 | CCTV - A Trail of Images, House of Electronic Arts, Basel |
| CCTV - A Trail of Images, Electron Festival, BAC Bâtiment d‘art contemporain, Geneva | |
| 2010 | Following The Crisis: Instructions for a Dérive, Les Complices, Zürich, SPACE Gallery, London |
| Following The Crisis, Psychogeophysical Summit, HTTP Gallery, London | |
| CCTV – A Trail of Images, Hacking The City, Museum Folkwang, Essen | |
| Looking out for you - Instructions for a Dérive, Kunstpassanten, Zürich | |
| 2009 | CCTV - A Trail of Images, Tachometa, Wien |
| CCTV - A Trail of Images, [plug.in] Basel | |
| CCTV - A Trail of Images, Kunstraum Walcheturm, Zürich | |
| CCTV - A Trail of Images, Kunsthalle St. Gallen, Switzerland | |
| CCTV - A Trail of Images, Goldsmiths College, University of London | |
| CCTV - A Trail of Images, Roboloco, Reithalle Bern | |
| 2008 | CCTV - A Trail of Images, Piet Zwart Institut & WORM, Rotterdam |
| CCTV Cinema, Kalkbreite, Zürich | |
| CCTV - A Trail of Images, Gallery Eden 343, Sao Paulo | |
| Die unsichtbare Stadt: Tools für Sousveillance, Kunsthaus, Zürich | |
| 2007 | Citywalk with Sofatrips.com, Cabaret Voltaire, Zürich |
| 2018 | Elektronski Gradanski Neposluh, Drugo More, Rijeka |
| 2013 | Your Own Private Pirate TV Station, Désert Numérique #4, Saint-Nazaire-le-Désert |
| RRRRRRRRRRRRRRRRRadical Realtime - Kunst in Echtzeit, Stadtbibliothek Stuttgart | |
| 2012 | Sound Development City, Workshop for Summer School, London |
| The Revolution to Smash Global Capitalism: Coffee Break, Cabaret Voltaire, Zürich (CH) | |
| 2011 | One Hundred Days of Manifestation, Bblackboxx, Basel (CH) |
| 2010 | Frequency Modulations, SPACE Media Lab, London |
| 2008 | How to Build Your Own Private Pirate TV Station, OS Video Conference Constantvzw, Brussels |
| Your Own Private Pirate TV Station, Container Project, Palmers Cross (JA) | |
| From TV to CCTV, Gallery EDEN 343, São Paulo (BR) | |
| Prototyping in Romainmôtier, Dorkbot-Meeting , Romainmôtier | |
| BereBere mit Alejo Duque und Lorenz Schori, [plug.in], Basel | |
| The Deptford Initiatives mit Adnan Hadzi und James Stevens (UK), [plug.in], Basel | |
| 2007 | Burnstation mit Platoniq (ES), Cabaret Voltaire, Zürich |
| Your Own Private Pirate TV Station, Center for Conterporary Art, Warsaw | |
| The Dotmasters mit C6.org (UK), Cabaret Voltaire, Zürich |
| 2017 | Memories of the Future, Tutoring, Open Set Lab, The Netherlands |
| For the Lulz, University of Basel | |
| 2016 | Lecture, Seminary for Design Politics Seminar, University of Applied Arts Vienna |
| 2015 | For the Lulz: RRRRRRadical Realtime, Memes and Personal Geopolitics, Post-graduate Programme in Curating, Zurich University of Arts, Zurich |
| Guest Lecturers, Zurich University of Arts, Zurich | |
| Hacking Identity, Zurich University of Arts, Zurich | |
| 2014 | RRRRRRRadical Realtime, Parsons Paris |
| Hacking as Artistic Practice and Surf Session, School of Art and Design, Kassel | |
| Hacking as Artistic Practice, Temple University, Philadelphia | |
| Remote_spacin, Zurich University of Arts, Zürich | |
| Metaphern der Stadt. Urban Studies als Kunst und Wissenschaft., Zurich University of the Arts | |
| Master Fine Arts Symposium, MA Fine Arts, Zurich University of the Arts | |
| Big Data, 4 week interdisciplinary Module, BA Design, Zurich University of the Arts | |
| 2013 | Art and Internet, Talk, BA, Zurich University of the Arts |
| RRRRadical Realtime, Colloquium, Zurich University of the Arts, Zurich | |
| 2012 | RRRRadical Realtime: Remarks from the Underground, from Above, from Besides and Within, week-long course, Hochschule für Gestaltung, Offenbach a. M. |
| Hacking as Artistic Practice, Talk and Mentoring, ERG, Ècole Supérieure des Arts, Brussels | |
| Hacking Radio Space, week-long course, BA, Zurich University of the Arts, Zürich | |
| Hacking Radio Space, week-long course, BA, Zurich University of the Arts, Zürich | |
| 2011 | Hacking as Artistic Practice, talk and mentoring session, BA, Schule für Gestaltung, St. Gallen |
| Surveillance & the City, 2 day Seminar, PhD, Cultural Studies Institute, University Warsaw | |
| Hacking Radio Space, week-long course, BA, Zurich University of the Arts, Zürich | |
| 2009 | The Parasite‘s Delights, week-long course, BA, Zurich University of the Arts, Zürich |
| Kunstradio – Radiokunst, one-day course, BA, Hochschule der Künste, Bern | |
| 2008 | Hacking as Artistic Practice, talk and exhibition tour, MA, Hochschule Luzern |
| Workshop, Talk and Mentoring, Piet Zwart Institute, Rotterdam | |
| The Parasite‘s Delights, week-long course, BA, Zurich University of the Arts, Zürich | |
| 2007 | Mobile Media Performances, 4-day course, MA, Haute École d‘Art et de Design Genf |
| 2018 | Pax Art Award, Art Foundation Pax, Basel |
| 2017 | Prix de la Société des Arts Genève, Société des Arts Genève |
| 2016 | Honorary Mention Prix Ars Electronica, Ars Electronica, Linz |
| 2015 | Work Grant, City of Zurich |
| 2014 | Swiss Art Award, Swiss Federal Office for Culture, Bern |
| Work Grant, Migros Kulturprozent, Zurich | |
| Art On Your Screen, Work Grant, ZKM Karlsruhe | |
| 2013 | Golden Cube, 30th Kassel Documentary Film and Video Festival, Kassel |
| Work Grant, Kanton of Zurich | |
| Work Grant , Migros Kulturprozent, Zurich | |
| 2012 | Studio Residency, Constant Variable, Brussels |
| Work Grant, City of Zurich | |
| 2011 | Short List, Share Prize 2011, Torino |
| Studio Residency Pro Helvetia, Warsaw | |
| 2009 | Honorary Mention Interactive Art, Ars Electronica, Linz |
| 2008 | Swiss Art Award, Swiss Federal Office for Culture, Bern |
| 2007 | Jubilee Award, 1. Prize Category «New Media», Migros Kulturprozent, Zurich |
| 2019 | Artistic Intelligence. Digital Archives. Digital Conditions, Kunstverein Hannover |
| 2018 | Fetch and Deliver / Holen und Bringen: Werkleitz Festival 2018, VfmK Verlag für moderne Kunst, Vienna |
| Documents - Collecting Digital Art Volume 2 (2007-2018), Les Presses du Reél, Dijon | |
| Always different, always the same. An Essay about Art and Systems, Snoeck Verlagsgesellschaft, Köln | |
| Big Data und der digitale Ungehorsam, Springer Fachmedien Wiesbaden | |
| Hidden/Secret. Strategien des Verborgenen, Edition Randgruppe, Stuttgart | |
| Faking, Forging, Counterfeiting, transcript Verlag | |
| Media Arts in Switzerland. Pioneers, Tinkerers, Provocateurs, Christoph Merian Verlag Basel | |
| rt Beyond Digital / L'art au-delà du digital, Scala | |
| TOMORROWS: Urban fictions for possible futures, Onassis Cultural Center, Athens | |
| 2017 | <script>alert("!Mediengruppe Bitnik ");</script>, VfmK Verlag für moderne Kunst, Vienna |
| Action!, Kunsthaus Zurich | |
| Inéditos 2017, Scenographies of Power: from the state of exception to the spaces of excepcion, La Casa Encendida Madrid | |
| Dadaclub.online, Link Editions, Brescia | |
| Digital Dark, Public Access Gallery, Chicago | |
| 2016 | The Black Chamber, Link Editions, Brescia |
| Nevous Systems, Haus der Kulturen der Welt, Berlin / Spector Books | |
| L'image volée, Fondazione Prada, Milano | |
| Random Darknet Shopper, Aksioma, Ljubljana | |
| 2015 | Dadabot: An Introduction to Machinic Creolization, IDPure éditions Lausanne |
| Selection 02 #2, Zero Deux éditions, Nantes | |
| Athens Digital Arts Festival 2015, ISSUU | |
| Invent the Future with Elements of the Past, Scheidegger & Spiess | |
| Wasting Time on the Internet 2.0 Reader, Kunsthalle Düsseldorf | |
| Global Activism - Art and Conflict in the 21st Century, MIT Press | |
| 2014 | net.art Painters and Poets, City Art Gallery Ljubljana |
| Hacking - Edition Digital Culture 2, Christoph Merian Verlag, Basel | |
| Delivery for Mr. Assange / Ein Paket für Herrn Assange, Echtzeit Verlag, Basel | |
| 2013 | Substitut - A little Centre Culturel Suisse in Berlin, Substitut Berlin |
| 2012 | Summer Expeditions 2012, Sound Development City |
| 2011 | Dis-Connecting Media, Christoph Merian Verlag, Basel |
| Kultur digital , Dominik Landwehr, Christoph Merian Verlag, Basel | |
| Hacking the City: Interventions in Public and Communicative Spaces, Steidl Verlag Göttingen | |
| 2010 | unterdessen, visarte, Zürich |
| 2009 | CyberArts 2009, International Compendium;, Hatje Cantz Ostfildern |
| Home Made Electronic Arts, Christoph Merian Verlag, Basel | |
| 2008 | Media Arts Zurich: 13 Positions, Scheidegger & Spiess, Zürich |
| Shifting Identities: (Swiss) Art Now, Kunsthaus Zürich, JRP Ringier Kunstverlag AG, Zürich | |
| The Deptford.TV Diaries II – Pirate Strategies, MetaMute London | |
| 2007 | Tactile: High Touch Visuals, Die Gestalten Verlag, Berlin |
| 2006 | The Deptford.TV Diaries I, MetaMute London (UK) |
| 2017 | House of Electronic Arts Basel, Basel |
| 2015 | Art Collection City of Zurich, Zurich |
| Migros Museum for Contemporary Art, Zurich | |
| 2014 | Julius Bär Art Collection, Switzerland |
| Walter A. Bechtler Foundation, Kunsthaus Zürich | |
| 2011 | Museum of Communication Bern, Switzerland |
| 2010 | Collection Espace Multimédia Gantner, Belfort, France |
| 2015 | H3333333K, House of Electronic Arts Basel |